Limited edition red colour vinyl.

A release that compiles her three EPs alongside the best of her more informal early output into a remastered (or in some cases mastered for the first time) collection. To announce the release Konigsberg is sharing "Owe Me," an older track she initially demoed with It's Just Like All The Clouds producer Paco Cathcart, that features keyboards from Matt Norman (Horn Horse) and final production handled by Nate Amos (This is Lorelei, Water From Your Eyes).

This compilation is a musical omnibus—the first widely distributed Lily Konigsberg physical release as well as the first vinyl treatment for both 'Good Time Now' and '4 Picture Tear.' The collection loosely parallels the melancholic narrative behind the latter, where a mental break triggered Konigsberg’s depersonalized sense of her past self. Of the '4 Picture Tear' EP, Konigsberg says, “I would look at this photo-booth picture I took with Matt [Norman] and cry because I thought I was looking at the person I used to be in that picture and that person was gone.” In retrospect, these three EPs feel like distinctive vignettes of Konigsberg’s progression as a songwriter, each version of her past selves tethered by an invisible thread to the present through musical alliances and fervent introspection.